Sheela’s stay in the rural Karnataka during her stint as an art teacher in an art school in Mysore exposed her to a variety of organic materials. Her mediums have a distinct materiality and metaphorical identity. This is a painting of protest, and there is no doubt that the artist feels she must give of everything she has to show her involvement with the struggle. With this work Sheela explores the philosophical by juxtaposing the grim exterior with the seemingly infinite interior. Remains [Restos] Del 25 de octubre 2019 al 1 de marzo 2020. She began painting in her early career but started to make three-dimensional work in the 1990s in reaction to the rapid progress of economic and cultural development in India. Sheela Gowda doesn’t recommend art as a platform to voice individual opinions. If you have any other questions, please contact us. Emma Crichton-Miller. Content and formals aspects are given equal space in her works. Courtesy: GALLERYSKE, Bangalore. Subramanyan, Maharaja Sayajirao University of Baroda, 1974-79 Diploma in Painting, Ken School of Art, Bangalore, 2013 'Open Eye Policy', Van Abbemuseum, Eindhoven, Netherlands, 2011 'Therein & Besides', Institute of International Visual Arts (Iniva), London, 2008 'Crime Fiction', Gallery Ske, Bangalore, 2008 'Touching Base', Museum Gouda, Gouda, Holland, 2013-14 'Inaugural Show', Gallery Ske, New Delhi, 2010 'Orientations: Trajectories in Indian Art', Foundation 'De 11 Lijnen', Oudenburg, Belgium, 2009-10 'All That Is Solid Melts Into Air: Indian Contemporary Art in Global Times', Lakeeren, Mumbai, 2009 'For Life: The Language of Communication', Tilton Gallery, New York, 2008-09 'Where In The World', Devi Art Foundation, New Delhi, 2008 'Reflections of Contemporary India', La Casa Escendida, Madrid, 2008 'Frame Figure Field: 20th Century Modern and Contemporary Indian Art', Delhi Art Gallery, New Delhi. Most of Gowda's work seems to bear the impress of her experiences since the eighties as well as her life abroad. In her large new and as yet untitled installation at the Ikon she has been using found objects. University and in Vishwabharati (Santiniketan) in Calcutta. She has an upcoming solo presentation at Hangar Bicocca, Milan in 2019. For her sprawling installations, Gowda uses distinctive materials from her country whose nature, colors, and scents endow her works with a narrative as well as metaphorical force. The tiny holes of the ceiling is reminiscent with the constellation of stars, the light piercing through these holes makes the limited space of the interior look like an infinite whole quasi-ethereal effect. Sheela convincingly articulates the raison d’être behind her choice of these materials. Born 1957, Bhadravati, Karnataka, India Trained as a painter Gowda expanded her practice into sculpture and installation employing a diversity of material like human hair, cow-dung, incense and kum kum powder (a natural pigment most often available in brilliant red). Sheela Gowda, Darkroom, 2006, Tar drums, asphalt and mirrors, 239 x 259 x 305 cm. Password is required. Sheela Gowda (b. Bhadravati, India, 1957) lives and works in Bengaluru. Her installations combine sculpture with paint, while interacting with the gallery space. Sheela Gowda is an artist living and working in Bangalore, India. In And Tell Him of My Pain (1998, 2001 and 2007), the artist Sheela Gowda pulled around 250 metres of thread through the eyes of 100 sewing needles, soaking and binding them together with glue and blood red pigment. User Name is required. 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